Blue book cover featuring text in Cree syllabics, English, and French: “Kent Monkman: Shame and Prejudice, A Story of Resilience / Honte et Préjugés : Une histoire de résilience,” from Black Dog Online, powerfully highlighting First Nations history through visual storytelling.
A group of bears walks through a suburban neighborhood as an angel hovers above and a person in a mouse costume lies on the sidewalk, evoking themes from Kent Monkman: Shame and Prejudice, A Story of Resilience by Black Dog Online to reflect on First Nations history.
An open book from Black Dog Online’s *Kent Monkman: Shame and Prejudice, A Story of Resilience* displays text in an Indigenous syllabic script on the left page and English text on the right page, both set against light blue backgrounds, reflecting themes from Kent Monkman’s exhibition and emphasizing the significance of First Nations history.
A matador stands in the foreground, turning to look back as chaos erupts—people are fighting, a car burns, and someone lies on the ground—in a powerful scene reminiscent of Black Dog Online’s Kent Monkman: Shame and Prejudice, A Story of Resilience, which references pivotal moments in First Nations history.

Kent Monkman: Shame and Prejudice, A Story of Resilience

Sale price€47,95

Kent Monkman, Barbara Fischer, Lucy Lippard, Richard Hill and John Ralston Saul (Contributors)

Hardback, 28 × 23 cm | 11 × 9 in, 272 pages

ISBN 978-1-912165-26-1

Availability: In Stock
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Artist Kent Monkman’s all-encompassing project, Shame and Prejudice: A Story of Resilience, takes viewers on a journey through Canada’s history, starting in the present and going back to before Canadian confederation. Throughout the book there are clever, albeit controversial, commentaries told by Monkman’s genderfluid, time-travelling, supernatural alter-ego Miss Chief Eagle Testickle. Her narratives take viewers through the history of New France and the fur trade, the nineteenth-century dispossession of First Nations lands through Canadian colonial policies, the horrors of the residential school system, and modern First Nations experiences in urban environments. Shame and Prejudice challenges predominant narratives of Canadian history and honours the resilience of First Nations peoples.


This book accompanies Monkman’s largest solo exhibition to date, which is currently travelling across Canada at venues including the Art Museum at the University of Toronto, the Winnipeg Art Gallery, the Glenbow Museum in Calgary, and the Museum of Anthropology in Vancouver. The exhibition includes the artist’s own paintings, drawings, and sculptural works, which form a dialogue with historical artefacts and artworks borrowed from museums and private collections across Canada. The book is trilingual with all text in English, French and Cree.